There’s also a Line Out pair (RCA) for feeding a recorder of some sort or an additional amplifier.
At left is a series of stereo inputs (RCA) that allow connection of a fixed-coil (moving-magnet or -iron) phono cartridge and four line-level sources.
(The A-9010 also had a 1/8” stereo input jack for a line-level input, but that’s omitted on the A-9110.)
#ONKYO CD PLAYER AUSTRALIA MANUAL#
One of these, labeled Direct, is for switching the tone controls out of circuit the other is Phase Matching Bass, which the A-9110’s owner’s manual says “maintains smooth and powerful bass reproduction while effectively keeping the midrange clear and making vocals stand out.” (More about this below.) In the lower-right corner is a standard 1/4” headphone jack. Running along the bottom of the A-9110’s front panel, from left to right, are the Bass, Treble, and Balance knobs, and two small buttons, each with a status LED. At the center of the faceplate is a very large Volume knob to its right is a long, narrow, slot-like display that indicates the input selected (Line 1, Line 2, etc.), at the end of which is the Input button itself. In the upper left corner of the A-9110’s faceplate is a largish On/Standby button, and to its right is the sensor for the infrared remote control. Both look like models from the late 1960s or 1970s - the Golden Age of stereo. It takes a bit of looking to see the differences between the A-9010 and A-9110. On March 1, 2016, I enthusiastically reviewed Onkyo’s A-9010 integrated amplifier-DAC, calling it “a screaming bargain.” My opinion of the A-9010 amplifier hadn’t changed since then, so I was very pleased when editor-in-chief Jeff Fritz suggested I review the A-9010’s successor, the A-9110, which costs precisely what the A-9010 cost three years ago: $349 USD.
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